The film fools us into watching it by using its prequel brand name
All we want you to do it is, say Namaste to the film and completely avoid it.
How every scene annoyed us and made us miss Namastey London more and more. Inexplicable.
It’s bad how films lure audiences into the theatres, hiding under the brand shelter of a former hit.
Watch it If you like -
Nothing is good
But Beware of -
Everything is bad
Read Detail Review
Whats starnge is, the director-writer duo is the same, Vipul Amrutlal Shah and Suresh Nair. So what changed? May be the entry of co-writer Ritesh Shah or may be things beyond our understanding because the film is too beyond our understanding.
These can’t be the same guys who made Namaste London!
Alekh (Story) – Patkatha (Screenplay)
We are loving the changing times where stories have aim.
And here the makers have a made a film without a story only, forget aim.
“Why” is a big question for the film?
Why did you make this film? Why did you choose this script? Why this script needed two people for its narrative? Why make films on ghisa-pita aka stale subjects of “Punjab people would do or die to go abroad, and the Women are not allowed to work”? Why put labels on a culture with one film?
While Loveyatri showed Gujaratis as free to do garba, Punjabis here are shown free to get married just so one of the friends from the group can interact with the girl he likes.
Why did they try to rob, cut, copy and paste the patriotic monologue from the first film. That monologue is still so much impressive and will always be. Why did the makers try to ruin it?
Why is the movie titled Namaste England? Why did the movie waste our time?
We like Arjun Kapoor in contrast to many who don’t. Abut after this film, we are wondering whether it was the bad script of our bad judgment, Arjun Kapoor was that badly uninvolved in the film. Guessing Akshay made the choice of not doing this film.
Parineeti Chopra, once a wonderful actress, disappoints with her choice of films and even performances. We hope she emerges out of this soon.
Alankrita Sahai looks hot and acted at least more genuinely that Parineeti and Arjun. Same goes for Aditya Seal, better acting that the lead pair.
Shreya Mehta and Mallika Dua, tested our patience, it was so difficult to tolerate the film itself.
The only talent the film had perhaps is how to make good actors look bad, and one of them was Satish Kaushik.
Geet Sangeet (Music)
While Namaste London’s will always remain a supper duper hit, this film couldn’t get the music part right too. Two songs which are otherwise good, Tere Liye and Dhoom Dhadaka, sound annoying with the script.
Nirnay (FilmyCurry Verdict)
This is an unforgivable film, especially because it misused the title from a great great film, Namaste London.
Please pity yourselves and don’t watch this film.